2019 Annual Appeal Christopher Pease's Reaper

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The Art Gallery of WA Foundation marked its 30th anniversary in 2019.

Over those three decades of working with our supporters to build the AGWA Collection, we have always made sure not to neglect the moment in which we’re living. To mark this anniversary year, we identified an innovative Indigenous artist who is most definitely pushing the boundaries.

Postmodern Minang/Wardandi/Bibbulmun artist Christopher Pease appropriates early colonial images to reframe colonial history and race relations in startling ways. His acclaimed Minang Boodjar series subverts the well-known 1834 colour print Panoramic View of King George's Sound, Part of the Colony of Swan River, from drawings by Lieutenant Robert Dale. In Dale’s image, black and white harmoniously coexist in a romanticised landscape. But we now know that these bucolic scenes hid the tragic violence of the frontier wars.

The hidden story of colonial Western Australia is dramatically unmasked in one of Pease’s most important works to date: Reaper. Epic in scale, this highly original artist meticulously recreates a section of the 1834 panorama, then overlays it with the skeletal spectre of death.

Christopher Pease b. 1969, Minang/Nyoongar Reaper 2015.
Christopher Pease b. 1969, Minang/Nyoongar Reaper 2015. Oil on muslin on board (42 panels), 168 x 294 cm. Courtesy the artist and Gallerysmith, Melbourne

 

Our curator on this vital acquisition.

The State Art Collection has a small but significant holding of work by Christopher Pease, and I am excited by the prospect of bringing this important work into the Collection. The paintings from the artist’s most recent series, Minang Boodjar, are highly prized, and Reaper is visually very striking, very poetic. It’s a good fit for the Collection, continuing our representation of a core group of Aboriginal Australian artists, including Sandra Hill, Gordon Bennett and Richard Bell, who challenge dominant Australian narratives and practices from both the past and present.

Carly Lane
Curator of Indigenous Australian and First Nations Arts
Our Chairman on this 30th anniversary year appeal.

We are proud to house one of the most important holdings of Western Australian Aboriginal art anywhere in the world, thanks in large part to the support of Foundation members.
I urge you to support the 2019 appeal to acquire this work by Christopher Pease in the Foundation’s 30th anniversary year. You will be contributing to a powerful, rounded, inspiring artistic legacy for the future.

Warwick Hemsley
Chairman of the AGWA Foundation

About Christopher Pease

Christopher Pease is a Minang/Wardandi/Bibbulmun man from South Western Australia, whose visual language is at once deeply embedded within the western history of figurative oil painting and traditional Indigenous storytelling. Western notions of home and land ownership and the consequent loss of Aboriginal culture are referenced throughout Pease’s vocabulary of visual metaphor. His paintings often comprise references to western culture superimposed over scenes of traditional Indigenous ways of living and interacting with nature. His recent works include cross-sections of native flora which have metamorphosed into repetitive motifs and regimented decorative pattern such as those used in contemporary wallpaper designs, through which he reveals the problematic relationship between contemporary notions of living and the loss of Aboriginal traditional land and culture.

Pease is represented in numerous public collections around Australia including: National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; Queensland Art Gallery/Gallery of Modern Art, Brisbane; along with other public, and corporate collections as well as significant private collections both here and in the USA.

About Robert Dale

English explorer and draughtsman, Lieutenant Robert Dale (1810-1856), was a soldier of the 63rd Regiment, arriving at Swan River in Western Australia on board the HMS Sulphur in June 1829. He became acting assistant to Surveyor-General John Roe and was engaged to explore, map and document the interior around the south west cape. The culmination of Dale’s endeavour was a number of detailed drawings which were taken back to England and developed into a linear series of eight etchings with aquatint. Titled Panoramic View of King George's Sound, Part of the Colony of Swan River, the etchings were joined together and printed at a remarkable scale totalling three metres in length, becoming the most ambitious attempt to depict the Australian landscape in print-making during the first half of the nineteenth century.

Yet, shockingly, Dale was the same man who took Noongar leader Yagan’s severed head to London in 1833, where he gave it to Thomas Pettigrew, a surgeon with a penchant for antiquities and other scientific curiosities. Historical accounts reveal that Pettigrew hosted dinner parties where he displayed Yagan’s severed head in front of a copy of Panoramic View of King George's Sound and offered a copy of the print to guests as a souvenir.

Supporters

Thank you to those who have already donated to the 2019 Appeal:

Susan Ainge
A & H Anstey
Shelley Barker
John and Linda Bond
Frank and Margaret Bongers
Claire Brittain and John McKay
Marilyn Burton
Ian and Rosana Cochrane
William Cook
Amber Craike
Bernadette Cullinane
Kevin Della Bosca
Brid England
Mabel Ha
Ole and Gerie Hansen
Dorothea Hansen-Knarhoi
Jane Hegarty
Michael and Marie Hobbs
Janet Holmes à Court AC
Derek Kreckler
Derk Luiten
Adrienne Marshall
Catherine Menagh
Justin Miorada
Dr Fred and Georgina Nagle
Jan Newman
Giulia Oliveri
Julienne Penny
Rosalind-Ruth Phelps
Linda Savage and Stephen Davis
Richard Stone
Marina Sucur
Sandra and Rodney Thelander
Diana and the late Bill Warnock

On Saturday 27 August, the Gallery is open 10am-3pm only as we prepare for the AGWA Foundation Gala supporting women in the arts. Some exhibition access will be disrupted with two Tracks We Share ground floor galleries closed. AGWA Rooftop bar will be closed, reopening at 2pm Sunday. Details