Paola Pivi – I don’t like it, I love it

Pivi’s art transforms our expectations of what an artwork can be. It’s delightful, thoughtful and deeply human. With this exhibition, we aim to offer Western Australians and visitors a rare opportunity to experience the full spectrum of her incredible imagination and insight.

Colin Walker

AGWA Director

Paola Pivi. Photo: Laura S. Fuchs.

ABOUT THE ARTIST – PAOLA PIVI

Pivi has been the subject of numerous solo exhibitions including A helicopter upside down, San Carlo Cremona, Italy (2025); Come check it out, Contemporary Calgary, Canada (2024); It’s not my job, it’s your job, Musée d’art contemporain, Marseille, France (2023); I Want It All, The Andy Warhol Museum, Pittsburgh, Pennsylvania (2022); You know who I am, High Line Art, New York (2022); Bear like me, Aspen Art Museum, Colorado (2021); Lies, Lies, Lies, Anchorage Museum, Alaska (2021); 25,000 Covid Jokes (It’s not a joke), La Vieille Charité, Marseilles, France (2021); We are the Alaskan Tourists, Arken Museum, Denmark (2020); Art with a view, The Bass Museum, Miami Beach, Florida (2018); I did it again, Savannah College of Art and Design, Georgia (2018); I am tired of eating fish, LaRinascente, Milan, Italy (2017); Ma’am, Dallas Contemporary, Texas (2016); Tulkus 1880 to 2018, FRAC Bourgogne, France (2014); You started it…I finish it, National Gallery of Victoria, Australia (2014); Tulkus 1880 to 2018, Witte de With, Rotterdam, Netherlands (2013); Share, But It’s Not Fair, Rockbund Art Museum, Shanghai, China (2012); How I Roll, Public Art Fund, New York (2012); It’s a cocktail party, Portikus, Frankfurt, Germany (2008); and It just keeps getting better, Kunsthalle Basel, Switzerland (2007). Pivi has exhibited internationally at institutions including Tate Modern, London, United Kingdom; Fondazione Prada, Milan, Italy; Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany; Whitechapel Gallery, London, United Kingdom; Fondazione Nicola Trussardi, Italy; Malmö Konsthall, Sweden; MOMA PS1, USA; Yokohama Triennial, Japan; and the XLVIII Biennale di Venezia, Italy. The artist lives and works in the Island of Hawai’i, Hawai’i.

The title of the show I don’t like it, I love it has been created by Karma Culture Brothers, who creates most of the titles of the artist’s shows and artworks.

Kedela wer kalyakoorl ngalak Wadjak boodjak yaak.

Today and always, we stand on the traditional land of the Whadjuk Noongar people.