The West Australian Pulse 2022

AGWA Pulse

AGWA Pulse is also a year-round program of art experiences, opportunities and events for 15-21-year-olds, organised with their input. The headline event for AGWA Pulse is the annual Pulse Perspectives exhibition. Follow @agwapulse for updates.

Tour the exhibition

Act Belong Commit People's Choice Award

Visitors to this year’s exhibition were encouraged to vote for their favourite work in the Act Belong Commit People’s Choice Award. The student artist whose work received the most votes was Charlotte Simmons for her work titled Echoes of Choeung Ek. Charlotte was awarded $2,500. The school, the artist attended receives an AGWA workshop and tour package. And one lucky voter has won a $100 AGWA Design Store voucher.

Charlotte Simmons Echoes of Choeung Ek 2021
Oil paint, ink and pencil on canvas, 91.5 x 122 cm
Melville Senior High School
Photo: Bo Wong

Artist Statement

My artwork highlights Cambodia’s contemporary history involving the Khmer Rouge regime. The woman, whilst having experienced the genocide of her people, acts as a motif of hope. I have incorporated Khmer writing and mixed media in the background to create a murky textural surface to represent the largest killing field in Cambodia, Choeung Ek. It acts as a subtle reminder that power can decay human morality and that such atrocities can happen in our lifetime.

Catalogue

View this year’s exhibition publication.

Tanami Dundas-Steedman Home 2021
Oil on canvas, diptych: 91 x 246 cm overall
Governor Stirling Senior High School
Photo by Bo Wong

The West Australian Editor’s Choice Award

A new Award selected by Anthony De Ceglie, Editor in Chief, West Australian Newspapers in consultation with the AGWA Youth Advisory Panel. Valued at $2,500. The winner is Tanami Dundas-Steedman from Governor Stirling Senior High School for her work titled Home 2021.

Artist Statement
Home comments on the insidious brutality of domestic violence, depicting its intergenerational impact from different points of view within an abusive household. Drawn from personal experience and created in a Realist style, Home is intentionally graphically raw. In one image a child peers from behind a door witnessing domestic violence, depicted in the reflection in their eye. This symbolises how children and witnesses are shaped by abusive moments. The second image explores domestic violence from another perspective, depicting a woman holding her hands up, cowering in fear, where the viewer is positioned inside the abusive scene.

Tanami’s work stood out because it was such a mature portrayal of an insidious issue that society as a whole is only now starting to take as seriously as it should. For too long domestic violence has been a taboo topic, the nation’s secret shame in many ways. For that to change, we need to have frank and honest discussions about its devastating impacts on too many lives. To see a high school student willing to start one of those conversations through an amazing bit of art is really inspiring. Overall, I was blown away by the entrants and the talent on display. The state is in good shape when you consider the issues and ideas being raised by our next generation of cultural leaders. I am really proud that West Australian Newspapers is a partner in PULSE and I can’t recommend enough that everyone should see this exhibition. It’s a rare window into our youth’s thoughts. And you won’t be disappointed when you hear what they’re saying.

Anthony De Ceglie

Editor in Chief, West Australian Newspapers

Bailey Arundell Effeminate Flamboyance 2021
Coloured pencil and gold leaf on paper, 84 x 59 cm
John XXIII College
Photo by Bo Wong

Pulse Peer Award supported by Act Belong Commit

As selected by all the submitted artists for this year’s exhibition on what work moved, enlightened and that they engaged with the most. Valued at $2,500. The winner is Bailey Arundell from John XXIII College for his work titled Effeminate Flamboyance 2021.

Artist Statement
Macaronis were an effeminate group of men who rose to popularity in eighteenth-century England and were persecuted for their rejection of English culture. My work depicts an androgynous teenage boy who is dressed in traditional macaroni attire, his bruised face indicates that he is the victim of both psychological and physical trauma. The drawing highlights how the heteronormative social paradigms that supported the persecution of macaronis in the eighteenth century still heavily prevail in society today, resulting in men being shunned by society for their expression of femininity.

Kedela wer kalyakoorl ngalak Wadjak boodjak yaak.

Today and always, we stand on the traditional land of the Whadjuk Noongar people.