About the exhibition
The series’ title refers to the condition of ‘Stendhal Syndrome’ (aka Florence Syndrome or Rome Syndrome), reported to have been experienced by tourists overcome by the splendours of high Renaissance art. It was often explained as coming from an “excess of culture in the blood."
Andrew Nicholls says, "We owe the tour some of the most sublime aesthetic achievements of the 18th century, yet at the same time as it was informing this remarkable cultural legacy it was for the most part undertaken by extremely privileged, spoilt youths who were effectively on an extended gap year, travelling for the first time free of their families and the oppressive atmosphere of aristocratic society, with few financial constraints. As such, the tourists behaved (for the most part) appallingly: drinking, gambling, fathering illegitimate children, dying of venereal disease or locked in debtors’ prison. Hyperkulturemia explores the disjuncture between the Enlightenment’s sombre idealisation of Classicism, and the repressed, yet unruly, desires of the British aristocracy."
AGWA Curator, Robert Cook comments, “This seductive and playfully provocative display will feature Nicholls’ wonderfully choreographed photographs, beautifully detailed drawings and finely-made porcelain. As it comes into being through a wry (and deeply informed) meditation on the cultural significance of the European Grand Tour, it is the perfect opportunity for the Gallery to showcase his unique way of engaging with contemporary and historical art and modes of being, and to honour his enormous contribution to the creative life of WA."