Khai Liew is an Adelaide-based designer and adjunct professor with expert knowledge of both South Australian and Australian historical decorative arts and colonial history. For many years he has acted as a private consultant to various national and state institutions advising on acquisition and conservation. Liew’s championing of nineteenth-century Australian material culture as a conservator, consultant and valuer has led him to contribute to significant private and public furniture collections.
As a highly regarded designer, Liew draws on his cultural heritage and historical knowledge to design and produce work that is informed by the old and the new, the regional and international. The production of small editions and one-off commissions takes place in Liew’s Adelaide-based workshop, carried out a select group of highly-skilled craftsmen.
Much of my work is about telling stories. Communicating a narrative through a visual language while pushing the material in new and exacting ways are characteristic of many visual disciplines and practices.
Being a judge for the Tom Malone Prize this year was exciting as it’s a medium where artists are continually pushing ways on how to communicate captivating stories through glass. The calibre of works was high and we had a challenging task of selecting a winner. Key design aspects we were looking for however was the clarity of intent, a high level of craftsmanship and whether the work said anything new.
The Tom Malone Prize was awarded to Tom Moore for his work titled Pyrotechnic puffer fish. Arguably the country’s most consistently humourous and out-there glass artist, this particular work was unlike anything the judge’s had seen before.
Winner of the 2018 Tom Malone Prize, Pyrotechnic puffer fish by Tom Moore.
This year’s judging panel also comprised of Elizabeth Malone (AGWA Foundation Governor), Stefano Carboni (AGWA Director/CEO) and Robert Cook (AGWA Curator of Contemporary Design and International Art).
Now in its sixteenth year, the Tom Malone Prize is a highly respected national event for contemporary Australian glass artists. An acquisitive prize, each year’s winning entrant is awarded $15,000 while their work becomes a part of the WA State Art Collection.
This year, and for the next four years, the Prize is supported by Art Gallery of Western Australian Foundation Benefactor, Sheryl Grimwood.
The Tom Malone Prize is showing at the Gallery until 28 May.
Tom Malone Prize: Artist Studio Visit
10.30am-12pm, Saturday 5 May 2018
$22 AGWA Members | $28 General Admission
A behind-the-scenes look at the workshop of Perth-based glass artist and winner of the Tom Malone Prize 2017, Marc Leib.