Ayoung Kim | Screening & Conversation

Ayoung Kim | Screening & Conversation

Join AGWA for a screening of speculative short videos by Ayoung Kim followed by an in-person conversation with the artist.

Ayoung Kim is a genre-pushing artist whose work spans video, performance and installation. Grounding her practice in Korean history, philosophical enquiry, classical physical and the new geopolitics of Asia, Kim combines this research with elements of speculative fiction, cyberfeminism, and video game design to craft multidimensional, fluid narratives that both mirror and distort how we experience the present moment.

A selection of three video works by Kim will be screened that stimulate our imagination and compel us to question the ‘truths’ of this world. In doing so, she provides new methods for deconstructing and subverting history. While encouraging people to transcend anthropocentrism and uncover a new life of coexistence with nature, objects, and non-beings.

The screening is followed by a conversation with the artist and Rachel Ciesla, senior curator, Simon Lee Foundation Institute of Contemporary Asian Art, and is supported by the Australia-Korea Foundation.

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Screenings

Petrogenesis, Petra Genetrix 2019, 2021
digital, colour, sound; 7 min
Mongolian with English subtitles

Having travelled to Mongolia in 2019 to research its animistic belief system, Kim brings the narrative of the Mother Rock, considered to be the source of all human life, into dialogue with the view of the earth’s strata as a critical source of energy and data storage. Kim constructs a fictional narrative around the mineral/data cluster, Petra Genetrix, who navigates issues of migration by floating in the space between the earth’s strata and national borders.

Porosity Valley 2: Tricksters’ Plot 2019
digital, colour, sound; 23 min
English, Korean and Arabic with English subtitles

In response to anti-refugee sentiment triggered by the recent arrival of Yemeni refugees in Korea, Kim depicts the migration of Petra Genetrix to the data island ‘Crypto Valley’. The cluster is met with hostility by the local authorities, who view this new arrival as a malicious security threat, and consequently confine Petra to an alien detention centre known as the ‘Smart Grid’. However, upon escaping the facility, they encounter an external world of porous borders facilitating the passage and exchange of people.

Delivery Dancer’s Sphere 2022
digital, colour, sound; 25 min
Korean with English subtitles T

his Golden Nica award winning video was developed during the COVID-19 pandemic when Kim was confined to Korea. It centres on two female delivery drivers, Ernst Mo and En Storm, cleverly named anagrams of ‘Monster’, who work for the ‘Delivery Dancer’ platform in a futurist Seoul. The protagonist, Ernst Mo, is a top-level ‘Dancer’ who elegantly navigates the labyrinthine streets of this shimmering city on her motorcycle at the speed of light. Throughout her deliveries, she repeatedly encounters her alter ego, En Storm, whose presence delays the completion of each job until the system of optimisation itself begins to crack and potentially collapse.

Ayoung Kim
Ayoung Kim. Photo: Min Gyungbok.

About the artist

Ayoung Kim is a genre-pushing artist whose practice incorporates video, virtual reality, sound, performance, fiction and text. Her artistic process involves extensive research into modern and contemporary Korean history, geopolitics, transportation, and supranational movements. Kim uses this research to create multidimensional, fluid narratives that combine elements of speculative fiction, world-building and mythmaking to both reflect and distort our present condition. In an era of global crisis and uncertainty about the future, Kim stimulates our imagination and compels us to question the ‘truths’ of this world. In doing so, she provides new methods for deconstructing and subverting history. While encouraging people to transcend anthropocentrism and uncover a new life of coexistence with nature, objects, and non-beings.

Kim graduated with a MFA from Chelsea College of Arts, London in 2010. She has held several solo exhibitions in Korea and oversea including Ilmin Museum of Art, Seoul, 2018; Palais de Tokyo, Paris, 2016; and Künstlerhaus Bethanien, Berlin, 2012. She has participated in group exhibitions at leading art institutions including Leeum, Samsung Museum of Art, Seoul, 2021; Busan Biennale, 2020; Berlin International Film Festival, 2020; National Museum of Contemporary Art, Seoul, 2020; Gwangju Biennale, 2018; Palais de Tokyo, Paris, 2016; and the 56th Venice Biennale, 2015.

About SLF ICAA

The Art Gallery of Western Australia's (AGWA) Simon Lee Foundation Institute of Contemporary Asian Art (SLF ICAA) is a major creative and curatorial initiative. Generously supported by the Simon Lee Foundation, this visionary project will enrich and deepen AGWA’s connections with contemporary art practices and cultural thinking in Asia and its diaspora communities. Through an integrated program of research, digital projects, exhibitions and collection development, SLF ICAA will present new and notable Asian artists, and foster the exchange of art and ideas throughout Western Australia and the wider region in partnership with our global institutional peers. For more information please visit:SLFICAA

On Saturday 27 August, the Gallery is open 10am-3pm only as we prepare for the AGWA Foundation Gala supporting women in the arts. Some exhibition access will be disrupted with two Tracks We Share ground floor galleries closed. AGWA Rooftop bar will be closed, reopening at 2pm Sunday. Details