Tom Malone Prize 2021
Tom Malone Prize 2021
Glass is one of the most exciting and dynamic art forms in this country. It is a uniquely captivating medium, capable of almost endless transformation.
Glass provides a perfect vehicle for the exploration of a range of themes, from the personal to the observational, and Australian makers are some of the world leaders in the medium.
The Tom Malone Prize is a highly respected national event within the Australian glass arts community and it has played an integral role in the Gallery's acquisition of works by Australia's most inspiring, innovative and accomplished artists working in this art form.
The 2021 Prize features the work of: Kate Baker (NSW), Clare Belfrage (SA), Hannah Gason (ACT), Marcel Hoogstad Hay (SA), Rita Kellaway (SA), Gerry King (SA), Jennifer Kemarre Martiniello (ACT), Peter Kovacsy (WA), Jeremy Lepisto (NSW), Madeline Prowd (SA), Kirstie Rea (NSW), Ayano Yoshizumi (SA) and Madisyn Zabel (ACT).
These thirteen shortlisted works demonstrate how our nation’s glass artists continue to invent and reinvent, to challenge themselves technically, and to find new frameworks to distil human experience in accessible and enlivening ways.
The winner of the $15,000 acquisitive prize will be announced 25 June 2021.
While we undertake exciting redevelopment works, visitor entry is from the Beaufort Street entrance.
The Beaufort Street entrance is located just after the intersection of Roe Street and Beaufort Street. If arriving from the Perth Train Station, walk through the Perth Train Station to the Beaufort Street exit. Then turn left and continue up Beaufort Street to the entrance.
The winner of the 2021 Tom Malone Prize for Australian glass artists is Ayano Yoshizumi for her work ICON #2010.
ICON #2010 was selected as the winning piece from a competitive short list of thirteen works by Australian artists including Kate Baker (NSW), Clare Belfrage (SA), Hannah Gason (ACT), Marcel Hoogstad Hay (SA), Rita Kellaway (SA), Gerry King (SA), Jennifer Kemarre Martiniello (ACT), Peter Kovacsy (WA), Jeremy Lepisto (NSW), Madeline Prowd (SA), Kirstie Rea (NSW), Ayano Yoshizumi (SA) and Madisyn Zabel (ACT).
This year's judges include Australian glass artist and past Tom Malone Prize winner Jessica Loughlin, AGWA Foundation Benefactor Sheryl Grimwood, AGWA Foundation Governor Elizabeth Malone and AGWA Curator of West Australian and Australian Art Robert Cook.
Artist statement: “Through my practice I am interested in the use of glass as an expressive material as well as using space and colour as primary tools for considering the work as a three-dimensional canvas with glass blowing, kiln-forming, and enamelling to strike a unique balance between art and craft. These conceptual works are influenced by Fauvism in her strong and expressive use of colour as well as the serendipitous nature of the hot-glass medium. The building of both internal and external spaces using blown glass and painting creates a constructed, transparent space. The Japanese concept ma, meaning negative space, identifies."
About Tom Malone Prize
An acquisitive prize, each year’s winning entrant is awarded $15,000 and their work becomes a part of the State Art Collection where it joins works by previous winners: Clare Belfrage, Gabriella Bisetto, Charles Butcher, Cobi Cockburn, Brian Corr, Mel Douglas, Mark Eliott, Deirdre Feeney, Kevin Gordon, Marc Leib, Jessica Loughlin, Tom Moore, Nick Mount and Benjamin Sewell.
Now in its 19th year, the Tom Malone Prize continues with the generous support of Ms Sheryl Grimwood, AGWA Foundation Benefactor.
Kate Baker is an Australian artist whose practice merges photo, print and digital media technologies with studio glass.
Before graduating from the Glass Workshop at the Australian National University School of Art in Canberra in 1999, Baker studied photography, printmaking and sculpture. Today, her practice seamlessly integrates these mediums, erasing the traditional divisions between them.
Baker locks ghostly, elusive and suggestive images into layers of glass, mirror, and also metal. Her themes are of a complex human environment layered with physical, psychological and emotional strata, inviting the viewer to consider the relationship between the self and one’s experience.
In 2017 Baker returned to the Australian National University as a full-time PhD Candidate to further develop her studio research in a critiqued setting. She was recently awarded the 2018 Hindmarsh Prize, which recognises excellence in the field of Contemporary Art made primarily from glass.
Baker’s work has been widely exhibited both nationally and internationally including at the Corning Museum of Glass, New York, the Toyama Museum of Glass, Japan, the Palm Springs Art Museum, California, the New Mexico Museum of Art, Santa Fe and the Glass Biennale, Venice, Italy. Both a finalist and winner of national and international art prizes, scholarships and grants, her artworks are featured in collections globally.
(Photo by Brenton McGeachie).
Inspired by experiences in the natural world for many years now, Clare Belfrage has forged an international reputation for her distinguished work with detailed and complex glass drawing on blown glass forms.
She has maintained a vibrant practice for thirty years. She has been an active part of artists’ communities particularly in Adelaide and Canberra, including the glass based studio blue pony, of which she is a founding member, the JamFactory Glass Studio in Adelaide and, Canberra Glassworks where she played the pivotal role of Creative Director from 2009 to 2013.
Clare has had a long involvement in education and has lectured in the glass programs at the University of South Australia, SA, and Ohio State University, USA and Curtin University, WA. She is currently an Adjunct Professor at the University of South Australia. She has also taught numerous workshops throughout Australia, New Zealand, Japan and the United States.
In addition to Australia, Clare regularly exhibits in North America, Europe, Hong Kong and New Zealand. Her work has been recognized for its innovation and originality and in 2005 and, 2011, she was awarded the Tom Malone Glass Prize by the Art Gallery of Western Australia. In 2016 she was awarded the inaugural FUSE Glass Prize for Australian and New Zealand glass. In 2018 Clare was the South Australian Living Artist Festival feature artist and subject of the festival’s annual monograph, Rhythms of Necessity, written by Kay Lawrence and Sera Waters.
Clare’s work is represented in major public collections including: National Gallery of Australia, Canberra, Corning Museum of Glass, USA, Museo do Vidro, Marinha Grande, Portugal, Tacoma Museum of Glass, USA, National Art Glass Collection, Wagga Wagga, ArtBank, NSW, Art Gallery of South Australia, Art Gallery of Western Australia, Museum and Art Gallery of Tasmania and Northern Territory Museum.
(Photo by Pippy Mount).
Originally from Victoria, Hannah Gason moved to Canberra to work as a cartographer. After an introduction to glass through a number of workshops, Hannah enrolled at the ANU School of Art and in 2015 graduated with a Bachelor of Visual Arts with Honours and was awarded a University Medal. Reflecting her interest in mapping, Hannah’s glass works explore depth, light and perspective. Through the use of kiln forming processes, Hannah creates works that explore the illusion of depth through the careful placement of glass tiles with their shifting tones. Her works play with repetition and fluidity to suggest rhythm and a constantly moving, changing surface.
Hannah has travelled widely as an artist and has been an artist in residence, teaching assistant and visiting artist at the Bullseye Glass Company, Berlin Glas, Corning Museum of Glass and North Lands Creative Glass in Scotland. Working from her studio at the Canberra Glassworks, Hannah has exhibited nationally and internationally, with work housed in the Australian Parliament House Art Collection, the Australian National Art Glass Collection and the ANU Art Collection.
(Photo by Sam Coopeer).
Marcel Hoogstad Hay
Marcel Hoogstad Hay is an Adelaide based artist working primarily with blown glass. He received his Bachelor of Visual Arts with Honours in 2012 from the Glass Workshop at the ANU School of Art and Design, Canberra, and in 2014 completed the Associate Training Program at JamFactory, Adelaide. Hoogstad Hay is interested in astrophysics and quantum mechanics, and his work addresses the quantum nature of the universe and our perceptions of spacetime. Through the use of traditional Venetian cane techniques, he creates complex patterns in glass that illustrate and explore these ideas.
Hoogstad Hay has undertaken residencies at Berlin Glas, Salem State University, and ANU School of Art and Design, and in 2015 was awarded the Endeavour Executive Fellowship from the Australian Government. He has exhibited nationally and internationally, holds work in the Ernsting Foundation Glass Museum collection in Germany, and in 2020 was a finalist in the FUSE Glass Prize.
Rita Kellaway spent her early, formative years in the South Australian outback town of Woomera, surrounded by an arid, treeless desert. The imagery she first encountered there, of ancient geological formations, continue to inspire her.
Using innovative kiln-firing and casting techniques, Rita purposefully experiments with molten glass flow and colour reactions occurring at high temperatures and cold-working processes applied when the glass has cooled. Her enigmatic sculptural and functional artworks are conversely both fragile and strong, delicate and bold.
Graduating from the University of South Australia (UniSA) in 2019 with a Bachelor Degree in Visual Art (Glass), Rita was also awarded the historical Harry P Gill Memorial Award and a University Medal. Since then she has received numerous accolades including Highly Commended in the South Australian Museum Waterhouse Natural Science Art Prize 2020, Finalist in the 2020 National Emerging Glass Art Prize at Wagga Wagga Art Gallery in New South Wales and Winner of the inaugural Relief/Wall Hanging Prize in the 2020 Brighton Jetty Sculptures.
Her artwork has been purchased by a private collector from the Friends of the Corning Glass Museum, New York and in 2020 she was awarded the Vicki Torr Emerging Artist Prize by the Australian Association of Glass Artists.
Gerry King has worked in glass since the early 1970s having studied glassblowing at Alfred University in New York State while undertaking a Masters’ Degree. His works are exhibited, collected and published internationally. They are held in more than twenty public collections and many corporate and private collections worldwide.
One of the first Australians in the field in the 1980's he was instrumental in the development of the Glass Studies course at the University of South Australia and subsequently became Head of the School of Design. He holds academic awards in art and education culminating in a Doctor of Creative Arts, [University of Wollongong, 1993].
Since 1996 he has been primarily engaged in exhibiting while also undertaking consultancy projects, design commissions and architectural projects. Periodically he publishes articles on contemporary glass, teaches workshops, lectures and presents conference papers internationally. He is frequently engaged in professional roles in Turkey and China.
His works often have an underlying socio-political commentary, frequently influenced by the events of cultural colonization and imperialism. Landscape has influenced his kiln-formed series for the last decade. The works teeter on the edge of realism and take a sideways glance at environmental realities.
Jennifer Kemarre Martiniello
Jennifer Kemarre Martiniello is an award winning multidisciplinary artist of Aboriginal (Arrernte), Chinese and Anglo-Celtic descent, Kemarre skin.
She has won national awards for poetry, creative writing and visual arts, an International Women’s Day Award (2010), was named in the ACT’s Centenary Honour Roll (2013), and was an ACT Nominee for Senior Australian of the Year in 2018. She has won Canberra Critics Circle Awards for Visual Arts 2011 & 2013, the 30th Telstra NATSIA Award 2013, 2016 Bay of Fires Art Prize, Australia Council ATSI Visual Arts Fellowship 2013-15, and the Wollatuka Acquisitive Art Prize 2012.
As an internationally recognized glass artist her works are held in major private and public collections in Australia, the UK, USA, the Middle East, Asia and the Pacific.
She is represented by Sabbia Gallery, Sydney NSW, Paul Johnstone Gallery, Darwin NT, Vivienne Anderson Gallery, Melbourne VIC and Harvey Art Projects, Sun Valley Idaho USA.
Peter Kovacsy, born 1953, Perth, Western Australia.
I launched my journey as a self-employed creative when I designed and built a studio gallery complex in Pemberton 32 years ago. From 1989 to 2000, I practised as a designer-maker focused on utilising locally sourced native timbers. 2002 was the year I established an industrial glass casting department in the studio. In 2006 I achieved a significant career milestone when I self-curated a major retrospective exhibition and published the book Peter Kovacsy A Studio Practice. I now fly under the banners of artist designer-maker, sculptor and photographer. I work with metal timber ceramic and glass. The result of my creative endeavours can now drift between sculpture objects and functional art.
Lepisto received his Bachelor of Fine Arts from Alfred University (in Alfred, New York USA) in 1997. He majored in Glass and Metals (with minors in Art History and Art Education).
After graduating, Lepisto made his way to Portland (Oregon, USA) and was hired to be the Production Manager Apprentice at the Bullseye Glass Company. This role allowed him to work in every facet of the Bullseye Factory’s glass production areas as well as with any visiting artists who came to work at the factory. In addition, he was also engaged to teach classes and research new glass chemistries and processes. This experience formed the basis of his glass kilnforming knowledge. In 2001 he left Bullseye and co-founded an independent studio.
The studio (Studio Ramp LLC) was a custom glass kilnforming fabrication studio that translated artists and architects designs into glass from concept to completion. The studio typically worked on 8-12 client projects at a time over its eight-year history. Beyond being a place where other artists' work was made it served as a stable platform from which Jeremy could engage with the wider creative community. For Lepisto this included exhibiting his work and lecturing internationally as well as serving on the Board of Directors for the Glass Art Society for over 7 years (with one year as Vice President and two years as their President).
After re-locating to Canberra, Lepisto established an independent glass studio in Queanbeyan (Jeremy Lepisto Projects). With this facility, Lepisto continues to construct works for other individuals as well as create his own work.
(Photo by Adam-McGrath).
Madeline is an early career glass artist, currently working out of Adelaide, Australia.
Studying under Richard Whiteley and Nadege Desgenetez, she received a Bachelor of Visual Arts from the Australian National University in 2009. Then relocated to Adelaide for the Associate Training Program in the Glass Studio at JamFactory.
Madeline is currently employed as Studio Technician in the Glass Department at JamFactory.
Madeline is heavily influenced by traditional Italian glassblowing techniques and the technical proficiency inherent in the process of making. She strives to make work that incorporates an element of the handmade. Her current work explores pattern, repetition and density of simple linework while simultaneously highlighting the optical qualities of blown glass.
Madeline has undertaken residencies at Canberra Glassworks, Berlin Glas e.V. and The Glass Factory in Boda, Sweden.
Madeline has travelled extensively, undertaking teaching assistant roles through USA for artists Clare Belfrage, Nancy Callan, Brian Corr and Ben Edols. Madeline was Craftsperson in Residence at Pilchuck Glass School in 2017 and 2019 and was invited to be an instructor in June 2018.
Prowd had her first solo exhibition Refract, Reflect at JamFactory in 2018 and exhibited in Distorted Trajectories at Craft ACT in Feb 2020. Prowd was a selected finalist in the Klaus Moje Glass Award in 2019 and the Fuse Glass Prize in 2020.
Kirstie Rea is a Canberra based artist with a studio practice embedded in contemporary glass. She established her studio after graduating from the Canberra School of Art in 1986 and has continued to develop her practice to become internationally recognised for her works in glass. She has exhibited nationally and internationally and her work is included in collections including the Victoria and Albert Museum, London, National Gallery of Australia, Wagga Wagga National Glass Art Collection and Alexander Tutsek-Stiftung Foundation in Munich, Germany.
Kirstie lectured in the Glass Workshop, Australian National University between 1987 -2003 and was the inaugural Creative Director at the Canberra Glassworks. She continues to teach workshops around the world. Her practice has been recognised by the Ausglass Honorary Life Membership Award (2009), the CAPO Fellow Award (2014) and the Canberra Glassworks Fellowship (2016).
At the core of her practice lies the desire to seek an understanding of our often tenuous connections to place. Walking in places beyond urban environments, seeking solitude and distance from the everyday, Rea uses her photography and writing to inform her making.
Ayano Yoshizumi is an emerging glass artist originally from Japan. After completing her Bachelor of Fine Arts (BFA) at Musashino University of Art from Tokyo in 2014. In her professional career, Ayano took part in the Asialink Residency Program at Canberra Glassworks as the visiting artist in 2017. She has exhibited internationally including at the Canberra Glassworks, JamFactory, and the Toyama Glass Art Museum.
Ayano relocated to Australia in 2019 to participate in the South Australian glass community as part of JamFactory's Associate training program. She is currently undertaking her second year of training.
Ayano's work utilizes space and colour as primary tools for considering the work as a three- dimensional canvas to strike a unique balance between art and craft along with the serendipitous nature of the hot-glass medium with a twist. The building of both internal and external spaces using blown glass and painting creates a juxtaposed depth in space.
Madisyn Zabel is a Canberra-based artist who investigates the growing dialogue between craft and digital technology. Using glass and mixed media, she extrapolates the dynamic relationships between three-dimensional objects and their two-dimensional interpretations. Zabel’s fascination with the visually deceptive qualities of glass began when she discovered the Necker cube - an optical illusion created by Swiss crystallographer, Louis Albert Necker.
Zabel has a Bachelor of Visual Arts (Glass) (Hons) (2015) from the Australian National University School of Art & Design, Canberra. She has participated in residencies at Berlin Glas e.V., Canberra Glassworks and the Glass Studio at the Chrysler Museum of Art, Norfolk, USA.
Zabel was awarded Warm Glass UK’s Glass Prize (Bullseye Artists) in 2016 and the Jutta Cuny-Franz Foundation’s Talent Award from the Museum Kunstpalast, Düsseldorf in 2017. Her work has been shown internationally – including the China Academy of Art, Hangzhou; Berlin Glas e.V and the Corning Museum of Glass, New York. Between 2019 and 2020 Wagga Wagga Art Gallery exhibited Perpetual Reversal, a commissioned installation of Zabel’s work.
(Photo by Kurt Bryant).